ABSTRACT
The problem of this study is that of the selection, documentation, explanation and preservation of some of the traditional designs found on the artifacts of the Ham People of Kaduna State and adapting them for contemporary use on fabric using Batik Technique of fabric embellishment. The general objective of the study is to select and adapt traditional designs on the artifacts of Ham People and adapt them for use as motifs on contemporary batik resist fabric for embellishment, thereby ensuring the sustainability of such motifs. The purposes of the study are: to identify the traditional artifacts of the Ham people and the design motifs on them and to extract some of these motifs and adapt them onto fabrics using batik technique of textile decoration. The study adopts survey method for data collection to obtain relevant information from the subjects in the sample area as suggested by Adetoro (1997). Exploratory approach and product development (R&D) was used for sourcing for designs on artifacts as suggested by Itten (1997). Other parameters of investigation used in exploratory methodology include population of the study, sampling, pilot study and experiments for adaptation of designs to textile fabrics using resist techniques. Three survey instruments were used in the study. The first one which is a questionnaire (Appendix II) was used for pilot study and the second one Appendix III (A) interview was used for collecting data of the fifty traditional motifs. The third one (Appendix III B questionnaire) was used for the assessment of the resist pieces of fabric produced from the modified traditional design motifs extracted from the artifacts of the Ham People for comparison with those produced within the recent period. This was done by presenting the twenty five selected motifs to some randomly selected respondents, comprising of Ham youths and adults based in Zaria. The comparative assessment questionnaire is a five Likert scaled instrument. Based on the analysis of the study, the following findings were made: 1.The production of traditional artifacts of the Ham people is on the downward trend. 2. Ten different crafts are still being practiced by the Ham people (mostly old people and only on request) 3. The traditional artifacts of the Ham people have symbolic motifs with traditional names and can be adapted on textile fabrics, using the batik technique of fabric decoration. 4. Cultural and environmental factors such as festivals, annual cultural day celebrations, naming ceremonies, marriages, burial, initiation rites and aesthetic values are guiding the use of the traditional Ham design motifs. 5. Vat dyes are quite suitable for the practical adaptation of the Ham design motifs on fabrics and apparel using the batik technique. The general conclusion is that although the production of artifacts in Ham land is on the downward trend, it is still being practiced with symbolic motifs that are adaptable on fabrics using resist dying techniques.