Site Logo E-PROJECTTOPICS

AN EXPLORATION OF SHURUWA MUSICAL INSTRUMENT AND DANCE COSTUME IN PAINTING


📝


Presented To


Environmental Design Department

📄 Pages: 94       🧠 Words: 9144       📚 Chapters: 5 🗂️️ For: PROJECT

👁️‍🗨️️️ Views: 245      

⬇️ Download (Complete Report) Now!

ABSTRACT
This Dissertation is an exploration of Shuruwa musical instruments and dance costumes as an inspiration for painting compositions. The study?s scope is based on the flute (Shuruwa), dance form Madamai village in Kagoro, Kaduna State. The study covers some selected dance costumes and musical instruments ranging from leather belts decorated with cowries, drums (Gbandang Bin &Dadai Bin), Kalangu, bamboo flutes (Shuruwa) and leg rattlers. The conceptual framework of this study is hinged on the derivation of visual imageries that are embedded in the color and shape of the Shuruwadance and art costumes and musical instruments to create paintings, as reflected in Okeke (1982), who observed that new Nigerian artists can draw inspiration from their rich and stylistically varied heritage. Musical instruments have given artists the inspiration to explore, paint and derive different themes from them. An example that characterized Cubism is the identification and the extensive use of musical instruments in painting that formed the basis for the Cubists? constant use of geometrical shapes; the style which the researcher adopted. In Africa and Nigeria, several artists have explored musical instruments and dance costumes in painting from varying cultures and ethnicity. However, Shuruwa musical instruments and dance costumes have not been explored in painting, thus, the need for this research. The researcher studied relevant works that express the aesthetic qualities that are similar to the exploration of musical instruments and of some artists who incorporated musical instruments and dance costumes in their paintings. The research design for this study is practice-based. The sketches and photographs of the selectedShuruwa musical instruments and dance costumes were subjected to studio exploration and analyzed in three stages: that is the representational, transformational and geometric/abstraction stages respectively. These stages were also divided into three (3) themes: Nkiyang song series (musical instrument), Shuruwa blower series (flutist) and the dancer costume series. The study established that Shuruwamusical instruments and costumes (like most African and Nigerian heritage and relics) can be identified and explored for their aesthetic qualities.

PLEASE NOTE

This material is a comprehensive and well-written project, structured into Chapter (1 to 5) for clarity and depth.


To access the full material click the download button below


OR


Contact our support team via Call/WhatsApp: 09019904113 for further inquiries.

Thank you for choosing us!

📄 Pages: 94       🧠 Words: 9144       📚 Chapters: 5 🗂️️ For: PROJECT

👁️‍🗨️️️ Views: 245      

⬇️ Download (Complete Report) Now!

🔗 Related Topics

AN EXPLORATION OF SCULPTURE FORMS IN INSTALLATION FROM THE CONTEMPORARY CONCEPTIONS OF OMABE TRADITION A FUSION OF OLELE DANCE FORMS IN PAINTING CONCEPTUALISATION OF TRADITIONAL GBAGYI FEMALE FORM INTO MINIMALIST PAINTING METAPHORICAL RENDITION OF CASSIA TORA ROOT FORMS IN PAINTING EMBELLISHMENT OF FABRICS AND GARMENTS USING DESIGN MOTIFS FROM THE COSTUMES OF THE OBA OF BENIN DEVELOPING PAINTINGS FROM YORUBA MUSIC DEVELOPMENT OF SHERE VILLAGE FORMS IN PAINTING: A TRANSFORMATION FROM REALISM TO MINIMALISM AN EXPLORATION OF BIOPHILIA AND ITS IMPLICATIONS IN THE DESIGN OF DRUG DE-ADDICTION CENTRE EXPLORATION AND EXTRACTION OF COLOURING SUBSTANCES FROM HERBS FOR USE AS DYES ON COTTON FABRICS BALANCE AND STABILITY IN THE EXPLORATION OF EQUESTRIAN FORMS WITH CHARCOAL IN SCULPTURE SYNTHESIS OF ARABIC CALLIGRAPHY AND MOSAIC EFFECTS IN PAINTING EXPRESSIONS A STUDY OF MWAGHAVUL FESTIVAL COSTUMES IN PLATEAU STATE AN INVESTIGATION OF COMPUTER APPLICATION TO PAINTING IN NIGERIA CREATING AESTHETICS IN PAINTING USING DOODLES EXPLORATION OF SELECTED FROGS' COLOUR PATTERNS IN PAINTING CONTEXTUALISATION OF POTHOLES ON NIGERIAN ROADS IN PAINTING ADAPTING BUTTERFLY MOTIFS IN PAINTING A STUDY OF OLADESU JOHNSON'S PAINTING STYLES (1997-2007) DYNAMICS OF CONCENTRIC LINES IN PAINTING EXPLORATION OF UNIVERSAL DESIGN PRINCIPLES IN THE DESIGN OF COMMUNITY CENTRE AT SHUARIN FOR JIGAWA STATE

click on whatsapp