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A FUSION OF OLELE DANCE FORMS IN PAINTING


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Environmental Design Department

πŸ“„ Pages: 91       🧠 Words: 10574       πŸ“š Chapters: 5 πŸ—‚οΈοΈ For: PROJECT

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ABSTRACT
The research was experimentally done to make an exposition of Olele dance by translating Olele rhythmic dance movements into forms in painting. The inspiration taken from Olele dance, an aspect of Igala ethnic culture enabled the researcher to create illusion of Olele dance movements within the forms. The problem of the study was to make an exposition of the Olele dance in a painterly form. Literature and works that were relevant to this study were reviewed and the methodology was studio based. The data which consisted of photographs and sketches were transformed into paintings under two main stages, exploratory and developmental stages. The developmental stage was further divided into partial fusion and total fusion based on set objectives. The study revealed that motion can be created on the picture plane by the arrangement of compositional elements. It also revealed that the dissolution of forms performing the Olele dance brought about a new vista of expression. It was recommended that government should reintroduce indigenous cultural dance in school curriculum to stimulate creativity in students.

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πŸ“„ Pages: 91       🧠 Words: 10574       πŸ“š Chapters: 5 πŸ—‚οΈοΈ For: PROJECT

πŸ‘οΈβ€πŸ—¨οΈοΈοΈ Views: 270      

⬇️ Download (Complete Report) Now!

πŸ”— Related Topics

A FUSION OF NIGERIA’S REGIONAL ARCHITECTURAL STYLES IN THE DESIGN OF PROPOSED NATIONAL ARTS AND HISTORY MUSEUM CREATING FORMS IN SCULPTURE INSPIRED BY ELEBO MASKS BALANCE AND STABILITY IN THE EXPLORATION OF EQUESTRIAN FORMS WITH CHARCOAL IN SCULPTURE AN EXPLORATION OF SHURUWA MUSICAL INSTRUMENT AND DANCE COSTUME IN PAINTING AN ATTEMPT AT INTEGRATING INDIGENOUS SPATIAL HOUSEFORMS TO EVOLVE A PALACE ARCHITECTURE METAPHORICAL RENDITION OF CASSIA TORA ROOT FORMS IN PAINTING AN EXPLORATION OF SCULPTURE FORMS IN INSTALLATION FROM THE CONTEMPORARY CONCEPTIONS OF OMABE TRADITION ADAPTING BUTTERFLY MOTIFS IN PAINTING DEVELOPING PAINTINGS FROM YORUBA MUSIC A DIALOGUE BETWEEN LINES AND FLORAL MOTIFS IN PAINTING AN INVESTIGATION OF COMPUTER APPLICATION TO PAINTING IN NIGERIA DYNAMICS OF CONCENTRIC LINES IN PAINTING STATIC MOTION: AN EXPLORATION OF STILT DANCE POSTURES IN MIXED MEDIA SCULPTURE USE OF CULTURAL ELEMENTS AS SOURCES OF FORMS IN THE DESIGN OF CULTURAL CENTRE A METAPHORIC TRANSFORMATION OF THE PAWPAW TREE INTO FEMALE FORMS IN PAINTING AN ADAPTATION OF ENUGU-NGWO MAIDEN MASK FORMS FOR SCULPTURAL TOTEM POLES USE OF BUILDING FORMS AS ACOUSTICAL TREATMENT IN THE DESIGN OF AN IDOMA CULTURAL CENTRE EXPLORATION OF SNAKE MOTIFS IN PAINTING CREATING AESTHETICS IN PAINTING USING DOODLES SYNTHESIS OF ARABIC CALLIGRAPHY AND MOSAIC EFFECTS IN PAINTING EXPRESSIONS

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