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AN EMPIRICAL DETERMINATION OF LABOUR OUTPUT FOR PAINTING IN THE NIGERIAN CONSTRUCTION INDUSTRY

(A CASE STUDY OF SOME CONSTRUCTION SITES IN LOKOJA)


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πŸ“„ Pages: 87       🧠 Words: 7355       πŸ“š Chapters: 5 πŸ—‚οΈοΈ For: PROJECT

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ABSTRACT
Research has shown that construction labour output is crucial to the success of construction projects. However, existing labour output used for the preparation of construction estimates in Nigeria are outputs derived from untested experiences. The focus of this study is to use the work study approach to empirically establish labour output for painting activities for the Nigeria construction industry using the classification in the BESMM3 as a guide. The procedure adopted field survey involving work measurement to observe and measure operatives output. Data were collected from on-going construction works and analysed using descriptive and regression analysis. The analysis carried out established general average output value per day as follows; painting of general surfaces of walls, girth greater than 300mm with (textured paint, 128.53m2; emulsion paint, 81.07m2; gloss paint, 72.58m2). Painting of general surfaces of walls, girth less than or equal to 300mm with (gloss paint 211.10m, emulsion paint 277.59m); Painting of general surfaces of ceiling soffit, girth greater than 300mm (emulsion paint 85.31m2).The findings in this study revealed a higher output per day for painting of general surfaces of walls, girth greater than 300mm using (textured paint, 128m2). This study shows that different items of work in painting trade have various measuring units and also various labour outputs. The results of the analysis suggested that mode of employment, qualification of workers, temperature of the work environment, period of observation and experience of the operatives affect output of workers to varying degrees based on the location of application of the paint and the unit of measurement of the work items. This study has recommended that the established output should serve as an effective baseline for efficient estimating process and be in compliance with the BESMM requirements.

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πŸ“„ Pages: 87       🧠 Words: 7355       πŸ“š Chapters: 5 πŸ—‚οΈοΈ For: PROJECT

πŸ‘οΈβ€πŸ—¨οΈοΈοΈ Views: 252      

⬇️ Download (Complete Report) Now!

πŸ”— Related Topics

TOTAL ELECTRON CONTENT ESTIMATION AND ANALYSIS OVER THE NIGERIAN GLOBAL NAVIGATION SATELLITE SYSTEM PERMANENT REFERENCE NETWORK FRAMEWORK FOR DETERMINING PERFORMANCE OF CONSTRUCTION PROJECTS 3-D READJUSTMENT OF PARTS OF THE NIGERIAN PRIMARY TRIANGULATION NETWORK WITH GNSS DATA AN ASSESSMENT OF THE PARTICIPATORY ATTRIBUTES OF CONSTRUCTION PROFESSIONALS FOR EFFECTIVE VALUE MANAGEMENT CONTROL OF LABOUR COSTS IN BUILDINGS EVALUATION OF THE EFFECTIVENESS OF HEALTH AND SAFETY TRAINING PRACTICES OF CONSTRUCTION FIRMS CENTRE FOR PROFESSIONAL EXCELLENCE FOR THE NIGERIAN BUILDING INDUSTRY: DESIGN CONSIDERATIONS FOR PROFESSIONAL HARMONY EVALUATION OF UNDERGRADUATE SCULPTURE CURRICULUM IN SELECTED NIGERIAN UNIVERSITIES ASSOCIATION OF NIGERIAN AUTHORS' VILLAGE, KURRA FALLS. "ARCHITECTURE AS AN INSPIRATION FOR CREATIVE WRITING A STUDY OF ROCK PAINTINGS AN ASSESSMENT OF THE NIGERIAN CONSTRUCTION INDUSTRY’S READINESS TO ADOPT VALUE MANAGEMENT PROCESS IN EFFECTIVE PROJECT DELIVERY ASSESSMENT OF PROFESSIONAL'S PERCEPTION OF KNOWLEDGE AND SKILLS REQUIREMENT OF CONTRACTORS FOR MASS HOUSING CONSTRUCTION DEVELOPING PAINTING POSSIBILITIES FROM KAMBARI PATTERNS AND MOTIFS AN APPRAISAL OF PERFORMANCE MEASUREMENT PRACTICE OF CONSTRUCTION FIRMS EXPLORATION OF SELECTED FROGS' COLOUR PATTERNS IN PAINTING DETERMINATION OF THE SUITABILITY OF GROUNDNUT HUSK ASH AS A SOURCE OF FLUXING AGENT FOR GLASS MAKING ASSESSMENT OF GRAPHIC DESIGN CURRICULAR OF NIGERIAN UNIVERSITIES IN RELATION TO DIGITAL CHALLENGES FACED BY FRESH GRADUATES IN THE PRINTING INDUSTRY EVALUATING THE MOTIVATIONAL FACTORS OF EMPLOYEE-CONSULTANTS IN THE NIGERIAN CONSTRUCTION INDUSTRY AN EMPIRICAL DETERMINATION OF LABOUR OUTPUT FOR WALL TILES THE ADAPTATION OF SELECTED DECORATIVE MOTIFS USED IN DURBAR RELATED OBJECTS FOR PAINTING

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